Lost Masterpieces: A-Corn Salve's "Listen to This Wail of Toe"



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From the P&PC Vault: The Poetry of Michael Phelps

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Boy, can London do the Olympics right or what? Olympic Park is decorated with permanent poem monuments like the sweet-looking one by Caroline Bird pictured here and the Tennyson one pictured below—3-D verses that are part of the Winning Words initiative run by U.K. National Poetry Day founder William Sieghart who has said he wants to "carpet our nation with poetry." But that's not all. Winning Words has also designed an interactive poetry game to go with the Olympics, and there was an Olympic poetry competition that received over 2,000 entries from kids in London. Furthermore, on July 23, London mayor Boris Johnson recited (in ancient Greek as well as English) "Ode for the London Olympics 2012," a poem commissioned from Oxford scholar Armand D'Angour who composed one for the Athens Olympics back in 2004 as well. Add to all this the Poetry Olympics held in London in late June, and you've got one heckuva Po-lympic scene going on across the pond....
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Anyone notice that—like G.I. Jane (1997) and The Expendables (2010)—the 2011 Liam Neeson flick The Grey ends with a poem? Yup: it's a four line verse titled "The Fray" that main character Ottway (played by Neeson, a trained hunter hired to protect oil workers from wolves in Alaska) remembers hanging in a frame over the desk in his father's den and that runs through his head (and in flashback on the screen) as he prepares to make a last stand against a wolf pack that has been pursuing him and systematically offing the other survivors of a plane crash in Alaska. (Check out the movie's last scene in the first video clip at the end of this posting; for some reason, btw, the scene has been transposed on the youtube clip so that the poem appears as a mirror image of the original and reads backwards [it reads forward in the original]; you'll get the idea nonetheless). The Grey does G.I. Jane and The Expend- ables one better, though, as the poem (pictured here) ...
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